Graham Tunnadine

Things look different now
“Coming up for air” Curated by Clive Burton & Bill Watson (of The London Group) in "The Festival of Britain at 70", Waterloo London. June 2021. This sculpture uses a submarine periscope metaphor for the re-emergence from World War Two and from the Covid-19 pandemic. How is vision changed by events? This piece uses a "hyper-stereo" technique to make everything look 1/10th actual size - a Lilliputian world. Responding to the pandemic and how those in power would like us to go back to a "New Normal". But, isn't it that we need to jettison the old structures so we can to address challenges such as Climate Change? NB: The typeface used here is Bodoni which was the official font for the Festival of Britain in 1951

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"U-5121C19"

U-Boat code title: 1951 to 2021 Covid-19

 

Things look different now
“Coming up for air” Curated by Clive Burton & Bill Watson (of The London Group) in "The Festival of Britain at 70", Waterloo London. June 2021. This sculpture uses a submarine periscope metaphor for the re-emergence from World War Two and from the Covid-19 pandemic. How is vision changed by events? This piece uses a "hyper-stereo" technique to make everything look 1/10th actual size - a Lilliputian world. Responding to the pandemic and how those in power would like us to go back to a "New Normal". But, isn't it that we need to jettison the old structures so we can to address challenges such as Climate Change? NB: The typeface used here is Bodoni which was the official font for the Festival of Britain in 1951
Things look different now
“Coming up for air” Curated by Clive Burton & Bill Watson (of The London Group) in "The Festival of Britain at 70", Waterloo London. June 2021. This sculpture uses a submarine periscope metaphor for the re-emergence from World War Two and from the Covid-19 pandemic. How is vision changed by events? This piece uses a "hyper-stereo" technique to make everything look 1/10th actual size - a Lilliputian world. Responding to the pandemic and how those in power would like us to go back to a "New Normal". But, isn't it that we need to jettison the old structures so we can to address challenges such as Climate Change? NB: The typeface used here is Bodoni which was the official font for the Festival of Britain in 1951
Things look different now
“Coming up for air” Curated by Clive Burton & Bill Watson (of The London Group) in "The Festival of Britain at 70", Waterloo London. June 2021. This sculpture uses a submarine periscope metaphor for the re-emergence from World War Two and from the Covid-19 pandemic. How is vision changed by events? This piece uses a "hyper-stereo" technique to make everything look 1/10th actual size - a Lilliputian world. Responding to the pandemic and how those in power would like us to go back to a "New Normal". But, isn't it that we need to jettison the old structures so we can to address challenges such as Climate Change? NB: The typeface used here is Bodoni which was the official font for the Festival of Britain in 1951
Things look different now
“Coming up for air” Curated by Clive Burton & Bill Watson (of The London Group) in "The Festival of Britain at 70", Waterloo London. June 2021. This sculpture uses a submarine periscope metaphor for the re-emergence from World War Two and from the Covid-19 pandemic. How is vision changed by events? This piece uses a "hyper-stereo" technique to make everything look 1/10th actual size - a Lilliputian world. Responding to the pandemic and how those in power would like us to go back to a "New Normal". But, isn't it that we need to jettison the old structures so we can to address challenges such as Climate Change? NB: The typeface used here is Bodoni which was the official font for the Festival of Britain in 1951
Things look different now
“Coming up for air” Curated by Clive Burton & Bill Watson (of The London Group) in "The Festival of Britain at 70", Waterloo London. June 2021. This sculpture uses a submarine periscope metaphor for the re-emergence from World War Two and from the Covid-19 pandemic. How is vision changed by events? This piece uses a "hyper-stereo" technique to make everything look 1/10th actual size - a Lilliputian world. Responding to the pandemic and how those in power would like us to go back to a "New Normal". But, isn't it that we need to jettison the old structures so we can to address challenges such as Climate Change? NB: The typeface used here is Bodoni which was the official font for the Festival of Britain in 1951
Things look different now
“Coming up for air” Curated by Clive Burton & Bill Watson (of The London Group) in "The Festival of Britain at 70", Waterloo London. June 2021. This sculpture uses a submarine periscope metaphor for the re-emergence from World War Two and from the Covid-19 pandemic. How is vision changed by events? This piece uses a "hyper-stereo" technique to make everything look 1/10th actual size - a Lilliputian world. Responding to the pandemic and how those in power would like us to go back to a "New Normal". But, isn't it that we need to jettison the old structures so we can to address challenges such as Climate Change? NB: The typeface used here is Bodoni which was the official font for the Festival of Britain in 1951
Things look different now
“Coming up for air” Curated by Clive Burton & Bill Watson (of The London Group) in "The Festival of Britain at 70", Waterloo London. June 2021. This sculpture uses a submarine periscope metaphor for the re-emergence from World War Two and from the Covid-19 pandemic. How is vision changed by events? This piece uses a "hyper-stereo" technique to make everything look 1/10th actual size - a Lilliputian world. Responding to the pandemic and how those in power would like us to go back to a "New Normal". But, isn't it that we need to jettison the old structures so we can to address challenges such as Climate Change? NB: The typeface used here is Bodoni which was the official font for the Festival of Britain in 1951
Things look different now
“Coming up for air” Curated by Clive Burton & Bill Watson (of The London Group) in "The Festival of Britain at 70", Waterloo London. June 2021. This sculpture uses a submarine periscope metaphor for the re-emergence from World War Two and from the Covid-19 pandemic. How is vision changed by events? This piece uses a "hyper-stereo" technique to make everything look 1/10th actual size - a Lilliputian world. Responding to the pandemic and how those in power would like us to go back to a "New Normal". But, isn't it that we need to jettison the old structures so we can to address challenges such as Climate Change? NB: The typeface used here is Bodoni which was the official font for the Festival of Britain in 1951
Things look different now
“Coming up for air” Curated by Clive Burton & Bill Watson (of The London Group) in "The Festival of Britain at 70", Waterloo London. June 2021. This sculpture uses a submarine periscope metaphor for the re-emergence from World War Two and from the Covid-19 pandemic. How is vision changed by events? This piece uses a "hyper-stereo" technique to make everything look 1/10th actual size - a Lilliputian world. Responding to the pandemic and how those in power would like us to go back to a "New Normal". But, isn't it that we need to jettison the old structures so we can to address challenges such as Climate Change? NB: The typeface used here is Bodoni which was the official font for the Festival of Britain in 1951
Things look different now
“Coming up for air” Curated by Clive Burton & Bill Watson (of The London Group) in "The Festival of Britain at 70", Waterloo London. June 2021. This sculpture uses a submarine periscope metaphor for the re-emergence from World War Two and from the Covid-19 pandemic. How is vision changed by events? This piece uses a "hyper-stereo" technique to make everything look 1/10th actual size - a Lilliputian world. Responding to the pandemic and how those in power would like us to go back to a "New Normal". But, isn't it that we need to jettison the old structures so we can to address challenges such as Climate Change? NB: The typeface used here is Bodoni which was the official font for the Festival of Britain in 1951
Things look different now
“Coming up for air” Curated by Clive Burton & Bill Watson (of The London Group) in "The Festival of Britain at 70", Waterloo London. June 2021. This sculpture uses a submarine periscope metaphor for the re-emergence from World War Two and from the Covid-19 pandemic. How is vision changed by events? This piece uses a "hyper-stereo" technique to make everything look 1/10th actual size - a Lilliputian world. Responding to the pandemic and how those in power would like us to go back to a "New Normal". But, isn't it that we need to jettison the old structures so we can to address challenges such as Climate Change? NB: The typeface used here is Bodoni which was the official font for the Festival of Britain in 1951
Things look different now “Coming up for air” Curated by Clive Burton & Bill Watson (of The London Group) in "The Festival of Britain at 70", Waterloo London. June 2021. This sculpture uses a submarine periscope metaphor for the re-emergence from World War Two and from the Covid-19 pandemic. How is vision changed by events? This piece uses a "hyper-stereo" technique to make everything look 1/10th actual size - a Lilliputian world. Responding to the pandemic and how those in power would like us to go back to a "New Normal". But, isn't it that we need to jettison the old structures so we can to address challenges such as Climate Change? NB: The typeface used here is Bodoni which was the official font for the Festival of Britain in 1951
Things look different now “Coming up for air” Curated by Clive Burton & Bill Watson (of The London Group) in "The Festival of Britain at 70", Waterloo London. June 2021. This sculpture uses a submarine periscope metaphor for the re-emergence from World War Two and from the Covid-19 pandemic. How is vision changed by events? This piece uses a "hyper-stereo" technique to make everything look 1/10th actual size - a Lilliputian world. Responding to the pandemic and how those in power would like us to go back to a "New Normal". But, isn't it that we need to jettison the old structures so we can to address challenges such as Climate Change? NB: The typeface used here is Bodoni which was the official font for the Festival of Britain in 1951
Things look different now
“Coming up for air” Curated by Clive Burton & Bill Watson (of The London Group) in "The Festival of Britain at 70", Waterloo London. June 2021. This sculpture uses a submarine periscope metaphor for the re-emergence from World War Two and from the Covid-19 pandemic. How is vision changed by events? This piece uses a "hyper-stereo" technique to make everything look 1/10th actual size - a Lilliputian world. Responding to the pandemic and how those in power would like us to go back to a "New Normal". But, isn't it that we need to jettison the old structures so we can to address challenges such as Climate Change? NB: The typeface used here is Bodoni which was the official font for the Festival of Britain in 1951
Things look different now “Coming up for air” Curated by Clive Burton & Bill Watson (of The London Group) in "The Festival of Britain at 70", Waterloo London. June 2021. This sculpture uses a submarine periscope metaphor for the re-emergence from World War Two and from the Covid-19 pandemic. How is vision changed by events? This piece uses a "hyper-stereo" technique to make everything look 1/10th actual size - a Lilliputian world. Responding to the pandemic and how those in power would like us to go back to a "New Normal". But, isn't it that we need to jettison the old structures so we can to address challenges such as Climate Change? NB: The typeface used here is Bodoni which was the official font for the Festival of Britain in 1951
Things look different now “Coming up for air” Curated by Clive Burton & Bill Watson (of The London Group) in "The Festival of Britain at 70", Waterloo London. June 2021. This sculpture uses a submarine periscope metaphor for the re-emergence from World War Two and from the Covid-19 pandemic. How is vision changed by events? This piece uses a "hyper-stereo" technique to make everything look 1/10th actual size - a Lilliputian world. Responding to the pandemic and how those in power would like us to go back to a "New Normal". But, isn't it that we need to jettison the old structures so we can to address challenges such as Climate Change? NB: The typeface used here is Bodoni which was the official font for the Festival of Britain in 1951